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ISSN 1918-4026Intermídiashttp://www.blogger.com/profile/01795606696615555720noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-1909552121118110966.post-72094512591004940702012-01-02T15:00:00.000-08:002012-01-02T15:03:41.995-08:00Seminar Philosophy and Film at Ryerson University<style>
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</style> <b><span style="font-family: Optima; font-size: large;">Ryerson University </span></b><br />
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<div class="MsoNormal"><span style="font-family: Optima;">_______________________________________________<o:p></o:p></span></div><div class="MsoNormal"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHUjGhFXKts-3RY1ojn11bgYinn9eh4sVfZw0N8FoqdF-zVmt7qWoIfwgKNfhoAy1yawv0eTAFTTvNFk0Zc0u5y43G7tfqvawTWtTN7f6XOMfdS4bX4ayJyvX8_rR0v_Wd0QlsybArMxkK/s1600/Inception-wallpapers-inception-2010-12396721-1440-900.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHUjGhFXKts-3RY1ojn11bgYinn9eh4sVfZw0N8FoqdF-zVmt7qWoIfwgKNfhoAy1yawv0eTAFTTvNFk0Zc0u5y43G7tfqvawTWtTN7f6XOMfdS4bX4ayJyvX8_rR0v_Wd0QlsybArMxkK/s320/Inception-wallpapers-inception-2010-12396721-1440-900.jpg" width="320" /></a><b><span style="font-family: Optima;">CPHL 710 Philosophy and Film<o:p></o:p></span></b></div><div class="MsoNormal"><link href="file://localhost/Users/hudsonmoura/Library/Caches/TemporaryItems/msoclip/0/clip_filelist.xml" rel="File-List"></link> <style>
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</style> </div><div class="MsoNormal"><b><span style="font-family: Optima;">Course Instructor: </span></b><span style="font-family: Optima;">Dr. <a href="http://ryerson.academia.edu/HudsonMoura">Hudson Moura</a></span><span style="font-family: Optima;"><o:p></o:p></span></div><br />
<div class="MsoNormal"><span class="Apple-style-span" style="color: #222222; line-height: 22px;"><br />
<span class="Apple-style-span" style="font-family: Optima;"><a href="http://ce-online.ryerson.ca/ce_2011-2012/calendar/default.aspx?id=5&section=course&mode=course&ccode=CPHL%20710" style="color: #8b0a00; text-decoration: none;"><span id="goog_592246540"></span>Winter 2012</a><span id="goog_592246541"></span></span><br />
<span class="Apple-style-span" style="font-family: Optima;">Friday - January 13 - April 13</span><br />
<span class="Apple-style-span" style="font-family: Optima;"><a href="http://ce-online.ryerson.ca/ce_2011-2012/calendar/default.aspx?id=5&section=course&mode=course&ccode=CPHL%20710" style="color: #8b0a00; text-decoration: none;">Enrolment</a></span></span></div><div class="MsoNormal"><span style="font-family: Optima;"><br />
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<span style="font-family: Optima;">Course Outline</span></div><div class="MsoNormal"><span style="font-family: Optima;"><o:p><br />
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<div class="MsoNormal"><span style="font-family: Optima;">This course explores<b> </b>the relationship between philosophy and film. As D. N. Rodowick states, for philosophers Stanley Cavell and Gilles Deleuze “cinema is the philosophy of our everyday life.”</span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Optima;">Our intent is to examine and approach the intersections of these two disciplines theoretically, culturally, and historically by screening films and presenting analysis based upon philosophical perspectives and arguments from scholars, philosophers, and filmmakers. In this way we will see how much both areas have influenced each other and have improved their own practices relating to contemporary thought and film’s aesthetics. </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfju9cPoqrLcniSSua657VwIuVAOV7u7G_1-Rtn6RT4cb2lTHqMp8tcTYWpR8u3mqtr1HXhe7kTwUQFLridSxbfyalN_snZrkG2LKedR09cuesDdh7foQq-2eIlTXkwYntMbtGU6NagQYP/s1600/Seventh.Seal_Philosophy.and.Film_Ryerson.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfju9cPoqrLcniSSua657VwIuVAOV7u7G_1-Rtn6RT4cb2lTHqMp8tcTYWpR8u3mqtr1HXhe7kTwUQFLridSxbfyalN_snZrkG2LKedR09cuesDdh7foQq-2eIlTXkwYntMbtGU6NagQYP/s1600/Seventh.Seal_Philosophy.and.Film_Ryerson.jpg" /></a><span style="font-family: Optima;">As a contemporary art form, cinema has motivated deep philosophical investigations about its nature, function, and reception. This course focuses on philosophical concepts having to do with the nature of film and our experiences of it. We will discuss how a film conveys meaning by producing specific forms of experience in the audience. Using cinema as an inspiration and a source for questioning the meaning of life, other inquiries to be considered may include: What can film teach us about the nature of perception? How do we understand filmic time? What is true <i>in</i> a film? And simply, what is film?</span></div><div class="MsoNormal" style="margin-left: 5cm; text-indent: -5cm;"><span style="font-family: Optima;"> </span></div><div class="MsoNormal"><span style="font-family: Optima;">Examining closely the work of several directors (Bergman, Tarkovsky) and philosophers (Cavell, Deleuze), and a variety of genres (melodrama, science-fiction, road movie), the course themes will address the nature and aspects of film (realism, metacinema) and scrutinize conceptions embedded in philosophy and film such as the philosophy <i>of</i> and <i>in</i> film, film as philosophy, filmosophy, and film-philosophy.</span></div><div class="MsoNormal"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin19uaMTSYIsgRY8rMiMfTs_yIRgcIvuTV_uQJIY4knKrozUmI57JlxZ1zOUbNOBniSiA8QEGa5XkfNlvhaGRdwH6fc5vLukRSO35NR1JMwqdRN29spxUG_MpyXIZC3UoXpaPazc7Z4DjZ/s1600/imitation-of-life-trailer-title-screen.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin19uaMTSYIsgRY8rMiMfTs_yIRgcIvuTV_uQJIY4knKrozUmI57JlxZ1zOUbNOBniSiA8QEGa5XkfNlvhaGRdwH6fc5vLukRSO35NR1JMwqdRN29spxUG_MpyXIZC3UoXpaPazc7Z4DjZ/s200/imitation-of-life-trailer-title-screen.jpg" width="200" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcneWf7EGEaN0QE9pqtXbldoIQAzkzbywwUMjCtqSR9-iS-HqPtzr-iLMWsSpyBqNx25ijIUuzwUSC7hz0iadLQkUD7fGj_DIKtyp6jLiSe7ssg9Ow8MeJAJxyPLuXc9FqcnZ3X6E97rU0/s1600/last-tango-in-paris-title-still.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcneWf7EGEaN0QE9pqtXbldoIQAzkzbywwUMjCtqSR9-iS-HqPtzr-iLMWsSpyBqNx25ijIUuzwUSC7hz0iadLQkUD7fGj_DIKtyp6jLiSe7ssg9Ow8MeJAJxyPLuXc9FqcnZ3X6E97rU0/s200/last-tango-in-paris-title-still.jpg" width="200" /></a><b><span style="font-family: Optima;">Course Topics:</span></b><span style="font-family: Optima;"> </span><br />
<span style="font-family: Optima;">I. <b>Introduction</b><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> II. </span><b><span style="font-family: Optima;">Nature of Film and Realism</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> III. </span><b><span style="font-family: Optima;">Philosopher: Stanley Cavell</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> IV. </span><b><span style="font-family: Optima;">Think Otherwise: Film as Philosophy</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> V. </span><b><span style="font-family: Optima;">Genre: Melodrama – Affects and Morality</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> VI. </span><b><span style="font-family: Optima;">Filmmaker: Ingmar Bergman</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> VII. </span><b><span style="font-family: Optima;">Philosopher: Gilles Deleuze</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> VIII. </span><b><span style="font-family: Optima;">Genre: Road Movie – A Search For Life’s Meaning in Wim Wenders' films</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> IX. </span><b><span style="font-family: Optima;">Modern Cinema: Mental Journey and Nothingness</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> X. </span><b><span style="font-family: Optima;">Think Otherwise: Film-Philosophy as an Image</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> XI. </span><b><span style="font-family: Optima;">Metacinema, Anti-Montage, and Political Cinema</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> XII. </span><b><span style="font-family: Optima;">Genre: Science Fiction – Humanity vs. Machines, Aliens, and Monsters</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> XIII. </span><b><span style="font-family: Optima;">Filmmaker: Tarkovsky – Metaphysics & Spiritualism</span></b><span style="font-family: Optima;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"> XIV. <b>Conclusion</b></span></div><div class="MsoNormal" style="margin-left: 5cm;"><br />
</div><div class="MsoNormal" style="margin-left: 5cm;"><span style="font-family: Optima;"><o:p></o:p></span></div><br />
<div class="MsoNormal"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjGuIPbwrqE-VfCRkNp5yjn39o4ar3xgpZRzpd4Z6I3Rbj5ENHXAThpQ4FzP9nlE1_xtuJVXsE77kUWmm30wI_GOzI2P0hEpOVCoDVykgOm-c3lEuGV-2gQRkoxtCtQK-x9gJj_zmMQfkT/s1600/Touch.of.Evil4.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjowLZgqsEqQUxfr1EzmPQpJdVE5ocJzxj0ppduvxe31E4d6OEptdRiHRIiKvviIORTRUHI3bD2OAmG6iJDb-ybRNcJEAGltKOrIjsoPbcGt_DGM0jdy4kLQQGmZjTGT_hfsah4vc1MuiQm/s1600/alien-title-screen.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1-pqbzEUuu-zk9_tVTgh6hP2saQKhg9E7zg-getJQ0DEaq27L5a5fgEfb4wbGp2t4R3zjhmQ3Vo1ycwDNM1bHu4fAnoLp34ZA7lyQkXcnI7cim_SHRl358NQZ-6Z4GSFYlkhI5qXbuXMU/s1600/Rocky.Horror.Picture.Show_MainTitleDrip.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br />
</a></div><b><span class="Apple-style-span" style="font-size: large;">Course's Blog: <a href="http://philosophy-film.blogspot.com/"> http://philosophy-film.blogspot.com/</a></span></b><br />
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<div style="text-align: center;"><b><img src="http://29.media.tumblr.com/tumblr_lealto2g2N1qe2w1uo1_500.png" style="-webkit-user-select: none;" /></b></div></div>Intermídiashttp://www.blogger.com/profile/01795606696615555720noreply@blogger.comtag:blogger.com,1999:blog-1909552121118110966.post-46117525728686446492010-07-22T05:47:00.000-07:002010-07-25T16:47:50.511-07:00INTERMEDIAS REVIEW NEW ADDRESS/NOUVELLE ADRESSE<div style="text-align: center;">ISSN 1918-4026<br />
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