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Winter 2012
Friday - January 13 - April 13
Enrolment
Course Outline
This course explores the relationship between philosophy and film. As D. N. Rodowick states, for philosophers Stanley Cavell and Gilles Deleuze “cinema is the philosophy of our everyday life.”
Our intent is to examine and approach the intersections of these two disciplines theoretically, culturally, and historically by screening films and presenting analysis based upon philosophical perspectives and arguments from scholars, philosophers, and filmmakers. In this way we will see how much both areas have influenced each other and have improved their own practices relating to contemporary thought and film’s aesthetics.

Examining closely the work of several directors (Bergman, Tarkovsky) and philosophers (Cavell, Deleuze), and a variety of genres (melodrama, science-fiction, road movie), the course themes will address the nature and aspects of film (realism, metacinema) and scrutinize conceptions embedded in philosophy and film such as the philosophy of and in film, film as philosophy, filmosophy, and film-philosophy.
II. Nature of Film and Realism
III. Philosopher: Stanley Cavell
IV. Think Otherwise: Film as Philosophy
V. Genre: Melodrama – Affects and Morality
VI. Filmmaker: Ingmar Bergman
VII. Philosopher: Gilles Deleuze
VIII. Genre: Road Movie – A Search For Life’s Meaning in Wim Wenders' films
IX. Modern Cinema: Mental Journey and Nothingness
X. Think Otherwise: Film-Philosophy as an Image
XI. Metacinema, Anti-Montage, and Political Cinema
XII. Genre: Science Fiction – Humanity vs. Machines, Aliens, and Monsters
XIII. Filmmaker: Tarkovsky – Metaphysics & Spiritualism
XIV. Conclusion